"Gloucester Arts on Main 2018" ©Mary Montague Sikes |
After I earned my MFA in painting and printmaking from Virginia Commonwealth University, I retreated to my home studio and painted alone. Developing my ideas on canvas was rewarding, but something was missing. I needed to be around other artists. At VCU, I had my own large studio room in a big, deserted school building near the campus. There were 11 other artists, all MFA candidates, painting inside that massive structure. During those two years of intensive learning, visiting artists from New York and California also used the studio space there. We spent time together. I missed that.
The artist workshops filled the interaction void. I found more and more of them. Some, such as a watercolor workshop with Patricia Tobacco Forrester in the Washington DC area. I loved her large expressive paintings and was sad to see that she died in 2011. Creatives are especially missed when they are gone.
I've taken many workshops at Cheap Joe's in Boone NC. That's where I found my hero artist, Mary Ann Beckwith who brought Robert Doak watercolors and Yupo into my life. Janet Rogers is another exceptional watercolor artist I found there. And I will never forget the Robert Burridge workshops where I fell in love with using orange under-paintings on my acrylic canvasses.
Sedona AZ is filled with seduction and energy. Each year, Jan Sitts teaches her workshops there that are filled with color and texture.
Besides taking workshops, I enjoy teaching them. I've had the opportunity to give classes in San Diego CA, Denver CO, Hilton Head SC, Richmond VA, Williamsburg VA, Gloucester VA and more.
For me, art teaching is as much a learning experience for the instructor as it is for the student.
As artists we must continue to grow and make our lives meaningful. The "messy" minds of creatives are filled with all sorts of ideas that cry to evolve.
I love artist workshops. Thanks to all my teachers and to my students.
2 comments:
Just like writers, artists need that interaction. It keeps us sharp and motivated.
It's the diversity. I love how you've diversified as an artist both in what you do and who you learn it from/teach it to. I also totally agree - the instructor often learns even more than the student.
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