Enjoying a Kathleen Conover Workshop

Kathleen Conover Demonstration ©Mary Montague Sikes

Every year, I enjoy taking one artist workshop. Somehow, this year I went a little crazy and took three. Last week, we traveled to Boone, North Carolina and Cheap Joe's magnificent workshop facility for Kathleen Conover's outstanding class.

Because I don't usually like working on Arches watercolor paper which headed the supply list, I doubted I would get very much from this workshop. However, because Mary Ann Beckwick often spoke of Kathleen during her classes and because it was at Cheap Joe's, I wanted to take the workshop.

I was not disappointed. "Chaos to Order" was one of the best workshops I have ever taken. Kathleen is thorough and provides a detailed outline for her instruction at the very beginning.

The first day we made 12 starts, creating "chaos" by "playing" with texture, repetition, variety, and much more as we worked with her patented "gesso juice". By 5 p.m., I was exhausted and ready for dinner. We had the beginning of paintings, using plastic wrap, wax paper, stencils, stamps, sponges, and much more.

The week continued at the same fast pace. I didn't create any masterpieces, but I learned a lot about composition and using design. Of course, I already knew a great deal, but sometimes reinforcement is something everyone needs. The small works (1/4 watercolor sheet) can be planning art for larger paintings or they can be finished pieces in themselves.

It was inspiring to be in the midst of a classroom full of dedicated artists. We each had two tables on which to work. We all did value studies and spent time editing our work. I loved being with them and with Kathleen for the week. Now I need to read over and study the class outline once more and use it to make order out of the original "chaos" pieces I didn't complete in class.

In the midst of chaos.

Teaching Artist Workshops - Mixed Water Media

This autumn, I'm teaching mixed water media workshops in different locations. Getting my materials together is exciting because it reminds me of all the amazing possibilities that exist for artists like me who love to experiment.

A few years ago, I took a workshop in Williamsburg with artist Mary Alice Braukman. Her approach thrilled and inspired me. She also introduced me to Yupo, a synthetic "paper" that allows paints to shift and flow in many unusual ways. Mary Alice made me realize that although I held a MFA in painting, I still had lots to learn. Because of my enlightening experience with her, I decided to take a different workshop every year.

In 2006, I first met Mary Ann Beckwith, and she introduced me to the Robert Doak pigments. Through Mary Ann, I learned that Doak creates these intense colors in his Brooklyn studio and that they are the most amazing colors ever. Since then I have worked in awe of the unique effects that develop when I use his paints in combination with Yupo. Not only is Mary Ann a gifted artist but she is a dedicated and caring teacher. She introduced me to fractals and to the photo a day astronomy web site. Those pictures from NASA have greatly influenced my work.

"Peace Anywhere?" ©Mary Montague Sikes

Other workshops over the years have inspired me. Robert Burridge showed me the way to orange underpainting, and my work grew brighter. Jan Sitts demonstrated the use of a variety of materials and mediums to build up a more sculptural surface on canvas. With layering, she reignited my love of the three-dimension.

A bit of learning from all of my teachers, including Thomas Thorne and Carl Roseburg from the College of William and Mary, shows through in every piece of my work. I suspect it shows through in my teaching as well.

Anyone who is interested in taking one of my workshops can let me know in comments or e-mail, and I will contact you individually. I can promise excitement and new experiences with art. Like me, you will never paint in the same way again once you experience these materials and techniques.

--Mary Montague Sikes